The room was dark, almost pitch black, save for what we can just make out -- the almost imperceptible shape of two triangular tufts of white hair, framing the shadowed face of Kronos Malvivicus. He sat in silence, in the dark, deep in the bowels of the castle -- a meditation chamber. Fires raged within his still frame, though his spidery fingers gripped the padauk wood of his wand with such ferocity that it is a wonder it didn't crumble in his hand. Memories... -- they did this to a person. Gave them strength. Made them act. Helped them calculate the efficacies of their projections.
Gradually, the echoing steps sent their audible timber down, down into the stone fathoms of the underground maze. A bit of a skirmish was coming nearer and nearer to the man who, formerly seething, now breathed the air deep, a small smile fitting his ruby lips as he lay in wait, in his web, underground, in the dark.
Keep him still! someone shouted. And there was howling, an endless string of insults and blasphemies spilling forth down the hall and down the stone stairs, which was found to be so poetic, so delicious that Kronos Malvivicus began to laugh, a deeply somber, level laugh that grew in strength and pitch, causing his head to tip back in strangely satisfied delight. It was time. The puppet was being fitted with strings. His most glorious gift! -- in the making.
The tall double doors were thrown open, instantly causing torches to be lit all around the room in unison, so that now we see it is a circular room, there are runes painted in red on the black walls. Not a single window. Underground. And, Kronos, sitting in a tall-backed chair of sleek black wood, widened his eyes at the three Wizards struggling with the outraged, squat old man, the rope slithering off of him, setting him... free. A thousand exclamation marks could not do him justice.
"
Bloody fecking hell, what the feck --" and so on, a mile a minute, vehement, not knowing what was good for him except, that it didn't so much matter. The end was the end, and it was written in stone; no matter what the alley rat might do, his fate was sealed and did not, as far as Kronos knew, contain torture.
"How good of you -- to contain him," he said smartly, his tongue slithering cross his teeth, snake-like. The man -- he had thinning black hair and a scruffy face -- all at the tail-end of a last, spit-drenched curseword, registered suddenly the Old Man's presence, so that he stumbled back a half step in surprise and stopped.
"
...the bloody 'ell," he trailed. His voice was gruff. He squinted at Kronos, leaning in slightly. "
Say, you're that...."
"The good son," said Kronos in a richly intonated voice as he stared down at the man, "Shall be very pleased with your performance."
The middle-aged, slightly hairy chum crossed his arms over his chest defiantly and quirked a brow, leaning back the slightest bit. "
I ain't fer hire," he sneered.
"Pity," said Kronos slowly. "I didn't mean to give the impression -- that I was asking." After that a twitch was all it took and, in a flash, his wand arm was up and incanting; a scurry erupted in as slow motion as was ever known, a voice booming, the firelight on the torches flickering, knees buckling and the disgruntled Wizard whirring round, being caught by the men in black who flanked him,
im-PEER-ee-oh echoing, all the while.
And then, as befitting slow motion scenes, we spin round the room to see from a different pair of eyes entirely. He had never felt so blessed in all his life, suddenly, his whole body from his balding crown down was brimming over with the purest tranquility, his worries slipping from him with the deepest grace. Not just the events of the night -- no, -- it was Azkaban, it was dementors, the first rise of Voldemort, his school days, his loyalty and concern for -- ... it all fell from him, sloughed off and sinking back into the earth. And what was left was a serene, trance-like state; he felt bathed in light and, at the same time, he felt nothing.
A wand. A wand was floated towards him and he took it. Simply. As if it was his. He hadn't held a wand in over twenty-five years. He turned round right as rain, walked the catacomb lair, mounted the steps, walked as if floating through the castle and out, down the winding narrow path, and disapparated, reappearing in the Schlagenweit's barnhouse in Essex. A... familiar territory.
From there it was not a far trek. No, not long through the frosted night was it at all, till he came to the white, white door atop the red-roofed house. Using the unregistered and untraceable wand given him, if a "him" there was left, he unlocked the door with simple ease, and stepped inside.
Instantly, and rather strangely, his entrance was... cause for alarm. Rather literally. A repetitive
dwwooooop, dwwooooop sounded throughout the house. My, well wasn't that interesting. His bloody puppeteers couldn't have foreseen that little mishap? Well, didn't matter, just made him pause inside his stuffed doll for a moment. Long enough, incidentally, for a female specimen of the servant variety to start up in her bed. Kronos, through a sort of hazy tunnel-like but well-attuned meditation, heard the beginnings of a frenzied skirmish coming from behind a closed white door. In her fervor, she had caused something heavy to drop. So that in the shadows of the night-fallen estate, as he slowly walked forward in old leather boots, creaking just the slightest bit, he perceived in Edith Gerste's audible fumbling an insufferable obstruction.
Turning open another white door, his vision black at its edges, a woman came into view. She was on the telephone, issuing out an address, her eyes flashing toward the intruder like stars in the darkness. A green flash. The phone hung off the hook.
And the body of a fallen soldier turned to mount the stairs.
The Good Son, is a song by Nick Cave.