Lenora Amherst
Ravenclaw Table
Hogwarts
Scotland
Monty Pepper
Sandy
Bedfordshire
15th September
Dear Monty,
It is incredibly bittersweet to be back at Hogwarts. I always adore the summer months- having time to really immerse myself in my work and to enjoy the beauty that the world has to offer- and returning to Hogwarts is always a mixture of disappointment and excitement. I admit, this year, that it also heavily laden with melancholy. The fact that this is my last year- the final time I will grace the halls of such a majestic place- is monumentally difficult to grasp. I grew up here. Some of my best memories are here. And I am certain I have yet to explore every nook and cranny that Hogwarts has to offer.
The new professors this year seem to be a bit more... unusual than I am accustomed to. There is a new Charms professor- admittedly he is incredibly handsome, and I actually look forward to doodling him in my spare time. Mostly because he has such a harsh jaw-line... I don't think I have ever seen an individual with a more defined jaw in my life. It's unusual. He is a bit grumpy- somewhat gruff- but after things settle in for the semester, I know I am going to need his aid. I have been struggling with the charms on my paintings. Getting them to "stick" so to speak. I know with practice and experience it will get better. Or perhaps I am simply too ambitious. But it is important to me to grasp realism as best I can with some of my pieces. I have been working on a large depiction of one of my favorite Goblin skirmishes. I am excited to finish it- and when we have a Hogsmeade weekend, I would love to be able to share it with you. I have never been more proud!
I am jealous that I had to miss that exhibit! The photos are breathtaking- I can only imagine witnessing it in person. I cannot imagine ever working with washi and ink in that way. Ink is so unforgiving. I've never been able to really get the hang of it- it's so much more complicated than paints. There are others in my house who can do beautiful works just scribbling on parchment with their quills. I much prefer pencils, charcoal, etc. But it looks like a fascinating technique. I admire anyone able to master it so well. Of course, I tend to admire anyone who can work in mediums I struggle with.... I basically admire every artist I've met. I just wish there more of the dreamy types in Ravenclaw- sometimes I feel out of place. Scholastic achievement is nowhere near as important to me as finding the time to paint.
I always enjoy a challenge. I've found the most fascinating portrait on the fourth floor in a hallway of unused classrooms. I haven't yet figure out who it is- an old, cantankerous woman with the ugliest I've ever seen constantly mewling for attention. She has zero interest in talking to me- though I have tried. I admit one day I convinced Sir Cadogan to invade her space. It was probably the most amusing portrait interaction I have seen in my life.
If you go to anymore exhibits with brocures- please send them to me! I am always excited to see other's work. Especially when it is so drastically unexpected! I might try to experiment with the technique a little- if only to learn a few things and have some variance.
There is so much more I would love to talk about! My summer was so immensely busy! But I've plenty of homework assignments half-finished and I've already written half a novel to you a it is. And despite not being competitive- I definitely don't wish to botch my grades. NEWTs will be here before I know it- and they will decide where I can go after Hogwarts. I would love nothing more than to spend my adult life immersed in art- but unfortunately I am acutely aware that a "day job" is an unfortunate necessity.
- Lenora